Here I Am Once Again Kelly Clarkson
| "Backside These Hazel Eyes" | ||||
|---|---|---|---|---|
| International artwork | ||||
| Single past Kelly Clarkson | ||||
| from the anthology Breakaway | ||||
| Released | April 12, 2005 (2005-04-12) | |||
| Recorded | 2004 | |||
| Studio |
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| Genre |
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| Length | 3:19 | |||
| Label | RCA | |||
| Songwriter(s) |
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| Producer(south) |
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| Kelly Clarkson singles chronology | ||||
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| Music video | ||||
| "Behind These Hazel Eyes" on YouTube | ||||
"Behind These Hazel Eyes" is a song by American vocalizer Kelly Clarkson for her second studio album, Breakaway (2004). Information technology was written by Clarkson with the song's producers Max Martin and Dr. Luke. The song was released on April 12, 2005, equally the 2d single from the album. Clarkson considered "Behind These Hazel Optics" as one of her favorite songs and she one time intended to name Breakaway afterward the song. "Behind These Hazel Eyes" is an uptempo song that incorporates crunchy guitars which are pulsated with driving beats and anthemic choruses; it narrates Clarkson's cleaved relationship with her ex-boyfriend.
"Behind These Hazel Eyes" peaked at number six on the Billboard Hot 100 and stayed inside the height 10 in the chart for fifteen weeks, a record for the longest time spent in the top 10 for a song that did non hitting top five, until it was beaten by Rihanna's "Needed Me" in 2016. It also became Clarkson'southward beginning song to summit the Adult Pop Songs chart. Information technology was certified platinum from Recording Industry Association of America (RIAA) for selling over ane meg digital downloads. Elsewhere, the song charted in the top 10 in Australia, Austria, Ireland, Netherlands, New Zealand and the United kingdom.
The song'southward accompanying music video was directed by Joseph Kahn and produced by Danyi Deats-Barrett. The concept of the video was conceived by Clarkson and depicts her as a bride who experiences some dream-similar hints that her fiancé is having an affair with a brunette anniversary attendee. The music video premiered online at MTV and it also received heavy rotation on Total Request Live. The song was performed live by Clarkson at numerous venues, including the Breakaway Globe Bout (2005) and the All I Always Wanted Tour (2009).
Groundwork and writing [edit]
In 2004, Clarkson flew to Sweden to collaborate with Max Martin and Lukasz "Dr. Luke" Gottwald for her album, Breakaway.[2] Clarkson and Martin were interested in turning in a more rock direction, every bit opposed to the "slick pop" with which they were identified. The songs "Since U Been Gone" as well equally "Behind These Hazel Eyes" were the products of their collaboration.[two] According to Dr. Luke, "Behind These Hazel Optics" was sent to Clarkson without any lyrics as part of an olive co-operative to the singer. He explained,
Nosotros had merely done with "Since U Been Gone," which anybody was happy with. Nosotros sent a rough version of "Behind These Hazel Eyes," without any lyrics, to Kelly and Clive Davis. It was in part an olive co-operative to Kelly, because there was miscommunication on "Since U Been Gone," where Kelly had written some lyrics and Max and I didn't know virtually it and we had finished the song. So we wanted to write "Behind" with her from the beginning, but we were in different places. She had only won "American Idol" and was on tour, then she'd e-post me lyrics, and I'd e-mail her my thoughts.[3]
In an interview with Entertainment Weekly, Clarkson explains that "Behind These Hazel Eyes" is "about the dipstick who completely screwed upwardly and now is unhappy and y'all're happy."[4] She also considered the song as ane of her favorites that she one time intended to name Breakaway afterward the song.[5] Critics speculated that the song reflects Clarkson'south intermission-up with David Hodges, an ex-fellow member of Evanescence. According to MTV, the vocal was originally written prior to the break-up. Yet, Clarkson decided to tweak the vocal lyrics after breaking up with Hodges to express her emotional hurting.[6] Clarkson besides said that the song about did non make information technology into the album.[7] She explained, "It had different lyrics in the commencement [...] I ended upwardly calling Luke [Lukasz Gottwald], the writer, and we did a totally different song to it. It'southward at present my favorite song on the record. Crappy relationships [make for] a proficient song."[seven]
Composition [edit]
"Backside These Hazel Eyes" is a ability ballad that was written by Clarkson, Max Martin, and Dr. Luke and produced by the latter two.[7] [viii] Co-ordinate to the sheet music published at Musicnotes.com by Alfred Publishing, it is set in common time and has a moderate tempo of 90 beats per minute. Information technology is composed in the central of F abrupt minor with Clarkson's vocal range spanning over two octaves from F#3 to F#5.[9] The bridge was the only part of the song that was written past Dr. Luke and Martin together with Clarkson face to face.[3] The song begins with Clarkson wailing "oh oh oh" over a restless percussion.[ten] In the first verse, the music becomes tranquility to focus on Clarkson's vocal as she wails "Seems like just yesterday/You were a part of me/I used to stand then tall/I used to be so stiff/Your arms around me tight/Everything it felt so right/Unbreakable like aught could go wrong."[10] During the chorus, the sound of electronic guitar is dominant as she vocalizes "Hither I am/One time again/I'1000 torn into pieces/Can't deny it/Tin't pretend/Merely thought y'all were the i/Cleaved up deep within/But yous won't get to see the tears I cry/Behind these hazel eyes."[ten] Gil Kaufman of MTV noticed that the song "soared on crunchy guitars, driving beats and anthemic, agitated choruses."[11]
Lyrically, the song narrates the story of a failed relationship which initially started off well. Clarkson regrets having allowed herself to be vulnerable to her ex-boyfriend and she is adamant that despite the hurting that she feels, he will not get the satisfaction of seeing her cry.[12] Michael Paoletta of Billboard praised Clarkson'due south vocal, writing "Clarkson simply delivers a loose, tour-de-force vocal that simmers alongside a steroid-charged musical backdrop that is fun, fast and furious."[thirteen] Scott Juba of The Trade praised the production of the song, writing "The song's strong hook pulls listeners in and involves them in the lyrics without ever becoming contemporary or manipulative." He also complimented Clarkson'south vocal which "oscillates between pain and defiance with near pinpoint accurateness."[14]
Reception and accolades [edit]
Critics thought that "Behind These Hazel Eyes" showcases Clarkson's vocal prowess.
Elizabeth Scott of Sky Living wrote, "while Clarkson is doing well musically, her honey life still hasn't picked up and she is heartbroken once again. I'yard sure the idea of some other top ten hit might cheer her upwards!"[15] Scott Juba of The Trades considered "Behind These Hazel Eyes" every bit the highlight of the album, writing "Now that [Clarkson is] a few years older than she was when she recorded her offset album, she brings more than authenticity to human relationship songs."[xiv] Evan Sawdey of PopMatters compared "Don't Let Me Stop You" (2009) with "Behind These Hazel Eyes" proverb that the sometime "may sound similar another rewrite of an older Clarkson hit (in this case, "Behind These Hazel Eyes"), but the observational lyrics nigh a questionable relationship are what ultimately makes the whole thing click."[xvi] Charles Merwin of Stylus Magazine felt that the vocal should sell records more because "the entire musical bankroll drops out to let Clarkson's voice through to live or die on its own."[17] Pam Avoledo of Blogcritics believed that "Behind These Hazel Eyes" was superior to the writing of "Since U Been Gone", commenting that "Information technology's punchier, well-written and gives Clarkson a chance to show off her vocal skills without the trendy haughtiness."[10] Joe Cantankerous of Cox Communications thought that "Behind These Hazel Eyes" was a decent follow-up to "Since U Been Gone", saying "It's no "Since U Been Gone" which is just a pop-rock juggernaut, just as follow-ups go, it'due south not too shabby. Clarkson's down-home everything (well, generally her looks) sells these lilliputian heartbreak haikus exceptionally well." He also listed "Backside These Hazel Eyes" every bit one of the forty songs that defined the summer of 2005.[18] The same sentiment was echoed past Robert Copsey of Digital Spy who considered the song as Clarkson's second best single after "Since U Been Gone", writing "It proved a slow burner at the time of release, merely this rails's greatness continues to exist realised over time."[nineteen]
"Backside These Hazel Eyes" was listed at number 5 on Billboard mag'southward list of Songs of the Summer of 2005.[20] In 2015, the same publication ranked the vocal at number four on its listing of Top 100 'American Idol' Hits of All Time.[21] It also appeared at number 3 on the listing of Kelly Clarkson'due south Top 15 Biggest Billboard Hot 100 Hits.[22] Chris Kal of WKNS ranked "Behind These Hazel Eyes" at number four in his list of "Height 10 Summer Songs From 2005".[23] Sam Lamsky of PopCrush described the song equally "a surefire fan favorite" and ranked it at number nine in his list of "Top 10 Kelly Clarkson songs".[5] Nib Lamb of Nigh.com put the song at number 62 on his list of "Top 100 Pop Songs of 2005".[24] The song was nominated in the category for Song of the Yr: Mainstream Hit Radio in the 2005 Radio Music Awards.[25] At the 24th ASCAP Popular Music Awards, the vocal was honored with the Almost Performed Songs award.[26] In January 2010, "Backside These Hazel Optics" was the fifth most played song of the last decade by American Idol performers.[27] According to Nielsen Circulate Data Systems, the song has been played 513,149 times through the calendar week ending March 24, 2010.[28]
Chart functioning [edit]
"Behind These Hazel Eyes" debuted at number lxxx-seven on the Billboard Hot 100 on the week ending, April 23, 2005.[29] The song stayed inside the top ten in Billboard Hot 100 for fifteen weeks before peaking at number six on the week catastrophe June 11, 2005.[30] [31] [32] It consequently held the record as the vocal with the well-nigh weeks in the chart's top ten without hitting the top five, before being surpassed by Rihanna'southward "Needed Me" which spent xvi weeks in the top 10 but only peaked at number seven, eleven years afterwards in 2016.[33]
On the calendar week ending May 28, 2005, "Behind These Hazel Eyes" jumped from number 7 to number three on the Billboard Pop 100 Airplay chart.[34] With "Since U Been Gone" property steady at number 2, the ascent made Clarkson the starting time artist with two songs in the pinnacle 3 of the chart.[35] The song also appeared on the US Popular Songs at number thirty on the calendar week ending April 30, 2005,[36] and peaked at number two on the week ending July 9, 2005.[37] Information technology spent 7 consecutive weeks at number two and was held off the top spot by Mariah Carey's "We Belong Together". It became the sixteenth ranked single of the 2000s decade on the Pop Songs chart compiled by Billboard.[38] On the Billboard 'south Radio Songs, the vocal peaked at number four on August six, 2005.[39] On the week ending Baronial 27, 2005, the song topped the Adult Top 40 and stayed in the position for five sequent weeks.[xl] [41] On Jan 31, 2008, "Backside These Hazel Eyes" was certified platinum by the Recording Industry Association of America (RIAA).[42] The song has sold 1,644,000 digital copies in the United States every bit of September 2017.[43]
Internationally, "Backside These Hazel Eyes" was a commercial success. In Australia, the song debuted and peaked at number six on the week ending July iii, 2005.[44] In New Zealand, the song entered New Zealand Singles Chart and peaked at number seven on the calendar week catastrophe July 4, 2005, every bit the highest debut of the calendar week.[45] In the United Kingdom, the song too debuted and peaked at number nine on the week ending October i, 2005.[46] In Ireland, the song debuted at number nine on the week ending September 22, 2005,[47] and peaked at number four on the week ending November three, 2005.[48]
Music video [edit]
Background and release [edit]
The music video was directed by Joseph Kahn and was produced by Danyi Deats-Barrett.[49] It was shot for two days in April 2005 in Toronto at a Church and a audio phase while Clarkson was on tour.[50] According to Kahn, Clarkson was sick during the production and could non speak. During Clarkson's wardrobe plumbing equipment, they communicated together using notes written by her.[51] Though she is seen speaking and is interviewed in the behind the scenes footage.[52] Access Hollywood reported that a single sprinkler was used to produce rain in the music video. The concept of the music video was conceived by Clarkson. She explained, "The whole matter is a metaphor about a broken fairy tale [...] You think everything is going well, and then reality kicks your barrel. It's kind of a sad video, but it'due south going to be my best one. Information technology'south existent, and that's why people like me."[50] Clarkson also added that later on the production of the music video was completed, she had bruises and a green-and-xanthous splotch on her left biceps.[50] The music video premiered online on May nine, 2005, on MTV.[53] On May sixteen, 2005, it premiered on Full Request Live where it debuted at number five on the chart the following 24-hour interval.[54]
Synopsis [edit]
The music video begins with Clarkson standing in a room wearing a white wedding dress. Holding a bouquet of cerise roses, she is surrounded by her bridesmaids as they prepare for her wedding. She sits down on a sofa and sees a wedding photo of her fiancé with another woman as a tempest grows outside. The bridesmaids are unable to close the windows and so they run out of the room leaving Clarkson alone, who is seen dropping the bouquet of rose too as the wedding photo from her hands onto the floor. The next scene shows Clarkson walking downwardly the aisle in a church wearing a black dress. She sees a bride continuing at the altar with her fiancé, getting married. When she draws the veil of the bride, she realizes that the bride is the woman from the photo.
Clarkson, who is now wearing a white wedding clothes, runs out of the church building and into a dark swamp. A montage of Clarkson singing with her ring in a dark swamp is shown alternately with scenes of Clarkson running in the forest and lying on the ground. Clarkson is also seen standing within an abandoned house, wearing a voluminous black dress. Every bit the rain starts to fall, Clarkson finally collapses, kneeling on the ground while looking at and being comforted by her other self who is singing with the ring.
The scene shifts to a present day, where Clarkson is standing at the altar, exchanging vows with her fiancé. Before he puts the band on her finger, she looks at the guests and notices that the woman from the photo is amid the audience. She sees her fiancé exchanging a smile with the adult female equally the adult female blows him a kiss. Clarkson then reaches for the ring and throws it at her fiancé, before running away from the chantry. She throws her nuptials bouquet into the lap of the adult female and shoves her way by the hymeneals guests who are trying to finish her from leaving. The video ends with Clarkson stepping out the doors into the brilliant sunlight.
Reception [edit]
James Dinh of MTV Newsroom listed "Behind These Hazel Optics" as one of the music videos with "a bad example of the runaway bride syndrome," writing, "Throughout the prune, Clarkson finds herself running through a swampy mud land until she snaps out of her visions, refuses to go along with the wedding and makes a shocking escape out of the church building."[55] Andrea Holmes of AOL ranked "Behind These Hazel Eyes" at number five in her list of "Tiptop Wedding Music Videos: 15 Clips for the Big 'I Exercise'." She commented, "The perfect analogy of our point about wedding videos, 'Behind These Hazel Eyes' takes an atypical approach to matrimony [...] Throughout the video the weather is dark and rainy, matching the story line, but when Clarkson ditches the wedding and runs out of the church building, she is greeted with sunshine.[56] Johnni Macke of E! opined that the video was intense, writing "She is heartbroken and "torn into pieces" throughout the video once she discovers her love is marrying someone else and it results in ballsy cemetery stone sessions and rolling in the mud."[57] Lyndsey Parker of Yahoo! Music put the song'south music video at number 22 on her list of the best matrimony-themed musical videos of all time.[58]
In an interview with MTV, the lead vocalist of Yellowcard, Ryan Central, praised Clarkson in the music video. He said, "She is and so unbelievably gorgeous in that video that is all over Television right now [...] The wet nuptials dress and the wet hair and ... come on, man! Who knew? She is so hot. She looks and then good in it."[59] Robert Copsey of Digital Spy opined that the music video is Clarkson'south best video to date.[19] The music video had a successful run at Total Request Alive where it topped the chart for 33 days, a tape that Clarkson holds for the longest stay past a female artist at number i on the nautical chart.[threescore] [61]
Alive performances [edit]
Clarkson performing the vocal wearing the wedding dress featured in its music video
"Behind These Hazel Optics" was included in the setlist of Clarkson'due south Breakaway Globe Tour (2005). During her concert tour at Germain Arena, Clarkson performed the song wearing the same wedding dress she wore in the vocal'due south music video.[62] Clarkson likewise performed "Behind These Hazel Eyes" on her All I Ever Wanted Tour (2009). While touring at Hammerstein Ballroom, New York City, Clarkson sang the stripped down version of the song, accompanied by guitars and vocal.[63] Caryn Ganz of Rolling Stone felt that Alanis Morissette's influence was evident on the chorus of "Behind These Hazel Optics" which was performed acoustically in the effect.[64] Clarkson explained that the arrangement was intended to maximize audience sing-along potential in which Jim Cantiello of MTV thought was constructive.[63] In December 2011, Clarkson besides performed "Behind These Hazel Eyes" on Chicago Theatre as part of the Miracle on State Street do good concert. Bob Gendron of the Chicago Tribune reviewed Clarkson's performance, writing "the Texas native could've impressed simply past projecting her booming voice and relishing its prodigious range. Still she seemed adamant to reinforce female empowerment themes often missing from her mainstream-pop contemporaries' hits."[65]
Cover versions [edit]
"Behind These Hazel Eyes" was covered by Cassadee Pope in the third flavour of The Vocalization. According to Pope, she decided to sing the song in lodge to reach out to her father who divorced from her female parent when she was still 11 years former.[66] Her rendition was praised by Christina Aguilera saying, "I got to experience your middle."[67]
Track listings [edit]
- Digital download and CD single [68]
- "Behind These Hazel Eyes" (Album Version) – 3:16
- "Backside These Hazel Optics" (Live @ Sony Connect) – 3:39
- "Backside Theze Hazel Optics" (Enhanced CD Video) - 3:xvi
- Behind These Hazel Eyes – EP [69]
- "Backside These Hazel Eyes" (Joe Bermudez & Josh Harris Mixshow Edit) – three:29
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Mixshow Remix) – 5:24
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Mixshow Instrumental) – 5:25
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Height 40 Radio Remix) – 3:ten
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Acappella) – ii:58
Credits and personnel [edit]
Recording
- Recorded by Max Martin, Dr. Luke, Lasse Marten and Kevin M. Guarnieri at Maratone Studios, Stockholm, Sweden and Dr. Luke'south NYC & Westlake Audio, Los Angeles, California.
Personnel
- Kelly Clarkson – lead vocals and groundwork vocals
- Shawn Pelton - drums, background vocals
- Dr. Luke – producer, instruments
- Max Martin – producer, instruments
- Johan "Brorsan" Brorsson – pro-tools engineer
- John Hanes – pro-tools engineer
- Serban Ghenea – mixing
- Tim Roberts – mixing banana
Credits adapted from the liner notes of Breakaway.[seventy]
Chart positions [edit]
Certifications [edit]
Release history [edit]
References [edit]
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{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ "Kelly Clarkson – Behind These Hazel Eyes". ARIA Top 50 Singles. Retrieved March 8, 2012.
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Source: https://en.wikipedia.org/wiki/Behind_These_Hazel_Eyes
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